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Ahchipaptunhe

Working at the intersection of geometric abstraction, modernism, and indigenous visual narratives. Through rigorous formal investigation, the work reclaims geometric language as an inherently Native practice, positioning Indigenous artistic traditions as parallel sophistications to, rather than primitive precedents of, modernist abstraction

Selected Works

A series exploring the relationship between Native geometric traditions, history painting, and contemporary abstraction.

Cultural Preservation

2023 • Acrylic on canvas

This work utilizes form as a method of recording directions for the traditional ceremony known as the Big House Ceremony.

Fragments of Memory and Land

2026 • Mixed media on paper

Confronts concepts of permanence and temporal, and living in an ever changing landscape. 

Living Dialogue of Native Beliefs

2025 • Wood, Acrylic, and acrylic on canvas

Where spirit takes shape, the unseen becomes tangible, and the viewer is invited into a profound act of reflection.

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Expression of Native Heritage

2025 • Oil on canvas

Painting as an act of preservation and reverence, honoring ancestral connections while carrying their living presence into the future.

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Woven Presence

2026 • Mixed media on paper

A tactile meditation of fiber and thought intertwine, grounding spirit in the physical act of creation and anchoring into the present.

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A living dialogue of Native beliefs

2022 • Oil on canvas

An immersive exploration of nonobjective form and remembered landscape, where lived experience dissolves into color and gesture and the essence of living emerges beyond representation.

Bio

An enrolled member of the Delaware Tribe of Indians and the Cherokee Nation, Ahchipaptunhe is a contemporary painter whose work bridges ancestral knowledge and modern form. Beginning their artistic practice in 2019, they approach painting as both cultural preservation and visual sovereignty—using abstraction and history painting to sustain Native language, traditions, and lineage through material expression.

With studies grounded in design, color theory, form relations, and art history, their work reflects a deep engagement with structural harmony and spatial dialogue. Influenced by visionaries such as Antoni Gaudí, Henri Matisse, David Lee Smith, Leon Polk Smith, Josef Albers, Hans Hofmann, and Kazimir Malevich, their practice synthesizes modernism and nonobjective art with what they describe as Native-suprematism—a re-centering of Indigenous cosmology within contemporary abstraction.

Through layered color fields, gestural movement, and symbolic spatial relationships, Ahchipaptunhe creates immersive works that act as living archives—where memory, land, and lived experience converge beyond representation.

Education

Pratt Institute, BID 2019 | Minor History of Art and Design | Summa cum laude
Johnson College, AAS 2012 | Summa cum laude
Military Aircraft Paint and Marking, 2009  
DINFOS Navy Photojournalism, 2001

Exhibitions

2026     Modern Messages | Scottsdale Civic Center & Lib, AZ

2025     Where Have All the Flowers Gone | New School, Manhattan NY

2025     Icons | Aurelia Gallery, Santa Fe, NM   

2025    Abstract Exhibit | Herberger Art Galleries, Phoenix, AZ
2025    Cherokee Homecoming | Cherokee Nation, Tahlequah, OK
2025     Chill Pill | Five15 Arts, Phoenix, AZ
2025     Lenapehoking | Gracie Mansion, New York, NY
2024     Landback | Tiny Gallery, Montclair, NJ

2024     No Feathers No Promises | ASU ArtSpace West, Phoenix, AZ
2024     Skateboard Deck Show | Trans AM cafe, Phoenix, AZ
2024     Stick Together| Scottsdale Community Center, Scottsdale, AZ
2024     Summer Stock | Five15 Arts, Phoenix, AZ
2023    Native Veterans Art Exhibition | ASU ArtSpace West, Phoenix, AZ
2023     Never Broken | Michener Art Museum, Doylestown, PA
2023     TOTAS: Trail of Tears Art Show | Cherokee Nation, Tahlequah, OK 
2023     Color Love | Scottsdale Community Center, Scottsdale, AZ
2022     TOTAS: Trail of Tears Art Show | Cherokee Nation, Tahlequah, OK
2022     FOUND:RE 22nd Annual Juried Exhibition | FOUND:RE, Phoenix, AZ
2022     ASU Community Art Show | ASU Downtown Campus, Phoenix, AZ 
2022     First: Native American Artist of Arizona | Scottsdale Community Center, AZ
2022     Portland on the Park Cycle 10 | Portland on the Park, Phoenix, AZ
2022     INFLUX | City of Tempe, Tempe, AZ
2022    Homecoming | Brooklyn Public Library Gravesend Branch, Brooklyn, NY
2021     Portland on the Park Cycle 8 | Portland on the Park, Phoenix, AZ

2021     Ahchipaptunhe | Mayo Clinic, Scottsdale, AZ
2021     City Island NYC: Storytelling Festival | City Island, NY
2020     Mayo Clinic Group Show | Mayo Clinic, Phoenix, AZ
2020     Archipelagos of the Creative Mine | Pratt Library, Brooklyn, NY
2019     Franklin Residence Gallery Group Show| Franklin Residence Gallery, Brooklyn, NY

Artist Talks and Lectures

2024    Visiting: Columbia Teachers College, New York, NY 
2023    Visiting: Never Broken Michener Art Museum, Doylestown, PA
2022    Virtual: Lenapehoking: Brooklyn Library, Brooklyn, NY
2021    Virtual: Native Artists, Northeast Futures, Montclair Art Museum, Montclair, NJ

 

Community Engagements

2026    Scottsdale Library Artist Demonstration, AZ

2026    Futures Highschool Artist Demonstration, Scottsdale

2026    Boys and Girls Club Artist Demonstration, Scottsdale, AZ

2025    Heard Museum Artist Demonstration
2024    Heard Museum Artist Demonstration
2023    Art Uncorked | Montclair Art Museum Gala and Silent Auction
2023    Art advisor for the City of Tempe’s Firehouse Art Project| Tempe, AZ 
2022    Art Uncorked | Montclair Art Museum Gala and Silent Auction

 

Additional Professional Experiences

2022 - 2023    Exhibit Designer | Musical Instrument Museum, Phoenix, AZ
2020 - 2022    Arts Program Specialist | Mayo Clinic, Scottsdale, AZ
2012 - 2015    Commercial Construction | VA Hospital Bronx, NY
2000 - 2010    United States Navy 

 

Publications

Never Broken: Visualizing Lenape Histories  – January 23, 2024
by Joe Baker (Editor), Laura Igoe (Editor)
ISBN 978-1-879636-16-3

Lenapehoking: An Anthology – 2022 
by Joe Baker (Editor), Hadrien Coumans (Editor) & Joel Whitney (Editor)
ISBN 978-1-946604-21-7

 

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